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Symposium Recalls Youth Liberation Conference 50 Years Later

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In 1969, over a thousand Chicano youth from across the U.S. gathered in Denver, CO for a Movimiento conference. By Abel Salas and Anthony Ortega On March 30th, the Chicano Movement Symposium Series presented its second annual installation of a program that seeks to encourage study and discussion and healthy, constructive debate on meaning and results of Chicanismo, outside of the university setting. In keeping with that goal, according to organizer Anthony Ortega, about 100 guests attended the free symposium, titled Aztlan Then And Now: 1969 Chicano Youth Liberation Conference held from 11am to 4pm at the Church of the Epiphany in Lincoln Heights. The location was particularly well chosen in light of the fact that much of the planning and organizing in preparation for East L.A. Chicano student “Blowouts” in 1968 took place inside the very same church, more than a year before the Chicano Youth Liberation Conference was held in Denver, Colorado. Convened by the Crusade for Justi...
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Performance Artist Megha Jairaj Discusses Her Work and Art Practice as a Bridge Between Worlds

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                                            An Interview with Megha Jairaj by Daisy Elizeth Magallanes for Brooklyn & Boyle   I recently sat down with artist Megha Jairaj in Los Angeles, California to discuss her work and the potential of art performance to disrupt power structures. In the tradition of artists such as Tristan Tzara, Ha rry Gamboa Jr., and Graciela Carnevale who used Art Performance as their weapon of choice to combat state and institutional authoritarianism, Jairaj’s interventions beg the audience to consider the fallacious nature and the structural oppression of imposed colonial hierarchies   DM: A lot of your work deals with the reclamation of ritual practice and place. How do both of these components intersect in your work?   MJ: I feel like “place” is…what is “neighboring” to me. To feel connected to...
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Father & Son Photograph the Soul of L.A

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A Rainy Day L.A. , Eriberto Oriol, 2016 by Abel Salas It is worth noting that photographer Eriberto Oriol knows exactly where to find the best Ensendada-style fish tacos on L.A.’s East Side. On the surface, he doesn’t look like the Chicano patriarch who paid his dues in the movimiento as a political activist or militant ’60s radical. Neither does he bear resemblance to the working stiff, barrio veterano or vato ruco who still keeps a wool Pendelton and a pair of Stacey Adams wingtips in his closet for special occasions. However, like both of the aforementioned East Los archetypes, he qualified for an AARP membership card more than a few years ago. With a camera on his shoulder as an extension of his unassuming, thoughtful, but undiminished revolutionary spirit, he is considerably taller than my own pops, and probably taller than yours.Wearing a Stevie Ray Vaughn soul patch gone grey and khaki shorts, he looks more like a retired Malibu or Imperial Beach surfer who isn’t quite r...
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