Ofrenda by Isaac Pelayo, mixed media, 2019 A TRIBUTE IN HONOR OF THE 10TH ANNUAL EL VELORIO DAY OF THE DEAD FIESTA By L.N. Amoratto It’s all about the ofrenda , you know, the trunk-load of plywood cut into uniform shapes. Pelayo has it down. You give an army of artists what passes for a universal canvas that doesn’t cost an arm and a leg and obligates everyone to work with the same piece of wood shaped into a cross or lucha libre mask or something else he’ll dream up soon and which will allow him to include pretty damn near 100 artists in an exhibition which will grace the walls of the Plaza de la Raza Boathouse Gallery at Lincoln Park. And all 100 of them, well, most of them, will be asked to try and sell ten tickets. Few will succeed.  They will, instead, give the tickets away and pay for them out of pocket. A substantial portion of the money goes to keeping the lights on at Plaza de la Raza, and the look of worry off of director María Jimenez’ face, because you wouldn’...

Freeway Man and His Sack s, Mixed Media, 6' x 6,' collection of Cheech Marin. by Abel M. Salas David Flury is a Chicano artist. He will say so himself. He won’t say much about the early years he spent attached to a life on the streets of South Central. He will only acknowledge that it was based on loyalty to others. And it was what he did to survive during a time when he and his contemporaries felt compelled to prove they were beyond hope, beyond fear and capable of conducting themselves with no remorse. It is not something he cares to uphold as virtuous or worthwhile. He could have, like many of those he grew up with, been a less than memorable casualty or a permanent resident in one of the state’s penal institutions. His father, he says, was from the deep South and white. “But my mother was from Guatemala,” he shares in a comfortable office at the Goodwill Industries complex in Lincoln Heights where he has worked part-time for some 14 years. The trajectory of his ...

Central Park in the Winter, Acrylic on Canvas, 2017 by Roberto Gutiérrez. Review by Abel Salas Artist and studio painter Roberto Gutiérrez isn’t pulling any punches these days. In fact, it wouldn’t be an overstatement to say the native son of L.A.’s Eastside is coming up aces more often than not. And when he isn’t walking away from his latest self-imposed challenge with a resounding victory, he’s holding his own with a combination of skill, panache and charisma that forces a split decision in his favor. And with the title belt all but his, he’s primed and ready to face off once more with a few of the most important metropolitan centers in the world. Having taken them on one after another in an allegorical ring where the traditional ropes have been replaced by the outermost edges of a canvas stretcher or a sheet of artist’s paper, the plucky maestro has returned whole, unscathed and reinvigorated from his arresting and emotional encounters with Los Angeles, Paris, and, of late,...

by Abel M. Salas The bicycle ride from the neighborhood bordering Hazard Park and the USC Health Sciences campus to Highland Park is grueling. A stack of 50 tabloid-sized, 28-page newsprint magazines packed into a worn canvas shoulder bag gets heavier than you might expect once you’ve crossed through Lincoln Heights and cut over the 110 Freeway on Pasadena Ave. to Figueroa and Avenue 39. From there, it’s an uphill climb all the way to Eagle Rock, and the prospect of my first real acupuncture session loses a bit of its luster. The restless, fitful few hours of slumber just before daybreak—and the optimistic decision to make the trip astride the seat of a used but sturdy 21-speed trail bike—bear down on me just as heavily as the midday sun. Recalling how I came by the two-wheeled transport, an early model issued by a UK-based performance bike maker, for a fraction of its original cost from the back of a pick-up does little to ease the unanticipated exertion.  Even ruminations...

by Citlalith Pérez Reprising the inaugural community-wide, multi-media homage to “Lucha Libre,” the Mexican wrestling sport characterized by larger than life characters, theatrical showmanship, acrobatic virtuosity and a perennial parade of masked wrestlers, Exodus Events is pleased to present the second annual edition of LA’s most authentic homage to the internationally popular tradition. (Photo courtesy: Santino Bros. Wrestling Academy) Part sport and part made-for-TV entertainment, the classic Lucha Libre wrestling legacy—the unique cultural expression which originated in Mexico and went on to spawn the wildly successful World Wrestling Federation (now the publicly traded World Wrestling Entertainment) media juggernaut—has inspired a growing legion of fans even as it has stoked the imaginations of countless aficionados drawn to its pageantry, near comic book hero iconography and all-American fun. The brain-child of artist Antonio Pelayo, founder of Exodus Events, “La Bulla” b...